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Elegy for the Tin Man

May 1, 2024 By Mamie Pound

Elegy for the Tin Man

She’d stopped believing in love but not art, and joined a pottery class on their twenty-first anniversary, first it was veiny hearts, then enormous sculpted feet, and finally penises using local music students from the university as models, all accepted mores in the fine arts, and in her decades-long marriage.

The penises were crooked, long, bald, Asian and Black and one was a hairy vagina of Daisy, who worked in the rented space next to her. Dot was sick with guilt over penises that lined the windowsills, the hallway to hallway to the guest bathroom like flags at Disney.

She took to carrying one under her skirt, no easy task, since the ceramic took hours to warm against her thighs, stretched her lace undies beyond belief but made her feel like a rebel, living outside the lines of social construct, who needs love anyway, she’d proclaim to Daisy and fire the brick kiln, that is, until a man answered her online ad for a model, and in their first conversation he admitted to being in a loveless, sexless marriage and said there’s no shame in seeking what you’ve lost, and could she either sculpt him a penis or a new heart to which she replied I don’t do metalwork and he said I’m flexible so she fashioned him a medium-sized number with an oil spout head, to align with his overall aesthetic and she moved her hands over the clay, whereas he felt a stirring, which he believed to be love and began to cry, and seeing this she suspected that his heart was probably still there, so she got permission to check him out, and lo and behold inside she found a bundle of itchy, salmon-colored insulation, wrapped over a heart, chain-locked, and stuffed deep inside, and with a barely audible thump, and she looked at him and he looked away, ashamed because she knew without asking that he’d done it to himself, she held a mirror but he pushed it away, so she said, just look, at how the valves open and close like a clarinet, so pink, like a baby bird fallen through the chimney and see, how it fills your chest, now that we’ve undone its chains?

About Mamie Pound

Mamie Pound has stories in Smokelong Quarterly, James Dickey Review, Image Journal, Gooseberry Pie, Ghost Parachute, Bath Flash Fiction Anthology, Milk Candy Review, Eunoia Review, and Bending Genres. She was a finalist for Smokelong’s Workshop Prize 2025. She is nominated for Best Small Fictions. Her work was long listed for the Craft Fiction Award. Her chapbook was a finalist in Fractured Lit’s Chapbook Prize 2024. She was writer-in-residence at the Kerouac House in Orlando, Florida.

Artist Credit:

Brett J Barr is an artist/tattooist, born in Easton Pennsylvania. He grew up in Daytona Beach, moved to Orlando FL in 1997 and now resides in Orlando, FL. Aside from tattooing at Built 4 Speed Tattoo in Orlando, Brett enjoys many different art forms such as graphite, charcoal, paint, pen and ink, mixed media/ graphic design, woodworking miniatures and studies classical guitar.

Contacts:
brettjbarr@yahoo.com
Facebook/ Brett J Barr
Instagram/ brettjbarrtattoos
Shop Insta/ built4speedtattoos
built4speedtattoos.com/brettjbarr

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