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Bozo

January 1, 2026 By Maureen Aitken

Bozo

This isn’t just a Bozo the Clown Classic Punching Bag. This is training. Every time someone punches Bozo in the face, he flies back up, smiling. He takes a hit like a Weeble Wobble. He won’t fall down, no matter what you do to him, no matter how hard you hit.

Bozo is shaped like a pear, with a wide, tense smile. Even when he pops back up, the smile is still the same. Bozo pretends it doesn’t hurt. Bozo takes it day after day, hour after hour, enduring the blows, facing the pain.

The puncher tries to make Bozo cry, but Bozo does not cry, Bozo smiles. This is a toy, but this is a lesson. This is adulthood. This is not complaining. This is not telling anyone to stop, to knock it off, to fuck off.

This is a punching bag with a face, this is a thing full of air. But it is full of other things. When someone here in the house isn’t having fun anymore, when the boredom sets in, they pull its stopper and all of the air comes out, until this punching bag with the smile on its face withers. As it deflates no one sees the sadness, no one but me hears him say, I did what you wanted. I did what you asked and still it’s not good enough.

They tell me later that, as a child, I cried at the mere sight of the Bozo the Clown Classic Punching Bag. Every time I saw it, I couldn’t stop crying, even though no one was punching, even though no one else was crying, just you, and I said, that’s not true, someone else cried too. Someone else had been crying out the whole time.

About Maureen Aitken

Maureen Aitken’s short-story collection, The Patron Saint of Lost Girls, received a Kirkus star, the Nilsen Prize, and the Foreword Review INDIE Gold Prize for General Fiction. It will be reissued in September, 2025 by Wayne State University Press. Her stories have earned a Minnesota State Arts Board’s Artist Initiative Grant, a Loft Mentor Award, an award from Ireland’s Fish Short Story Prize, and two Pushcart Prize nominations. The book was a finalist in the Minnesota Book Awards. Her stories have been published widely in journals such as Prairie Schooner and New Letters. Most recently, she was a finalist for The Missouri Review’s Perkoff Prize.

Maureen Aitken has taught at the University of Michigan, the University of Minnesota, and Hamline University.

Artist Credit:

Brooksie C. Fontaine is a coffee addict who got into college at fifteen and annoyed everyone there. She has MFA degrees in English and Illustration from Salve Regina University and Savannah College of Art and Design. Her writing and illustrations have appeared in over thirty literary journals and anthologies.

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