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Karol’s Cleaners Will Clean Anything

August 1, 2022 By James R. Gapinski

Karol’s Cleaners Will Clean Anything

That’s what the sign says. When asked, Karol confirms, “Yes, anything. Read the sign, dipshit.”

I normally wash my veggies at home, but these greens need professional help. The kale is dirty and limp, the broccoli is buggy. I load the nearest machine and add off-brand detergent. I set the gigantic dial to fruits/vegetables and deposit quarters.  After a thirty-minute cycle, the greens are clean, plump, and crispy.

Back home, I chop my cleaned veggies. I realize I’m surrounded by other dirty things. A blackened skillet, a permanently stained Tupperware, a blender with gunk stuck in every crevasse. I return to Karol’s. I set the dial: miscellaneous hard objects. After forty-five minutes, each item shines anew.

I smile and laugh. “This is amazing,” I exclaim to the woman next to me. She scowls and moves her body in front of her washer, trying to block my view. She’s cleaning a stack of envelopes emblazoned with words like Final Notice and Past Due.

Karol lowers her newspaper and says, “Don’t bother the other customers, dipshit. People could be washing their unmentionables.”

“Sorry, I didn’t realize.”

“That’s no excuse,” Karol says. She mumbles something else—probably calls me a dipshit again.

I take my polished kitchenware home, and I scramble to find other washables. I pull down dusty curtains. I roll up my white rug with its deep wine stains. I grab muddied camping gear.

Toward the back of my coat closet, I stumble upon the box you gave me. I used to look inside regularly, but now I’ve almost forgotten what it contains. Mom’s wedding ring. The poem she wrote Dad for their thirtieth. Her hospital bracelet. Lots of photographs, mostly of us kids. Mom was often the behind the camera rather than in front of it—a family historian unable to catalogue herself. The photos are yellowing. They need cleaning.

I go back to Karol’s Cleaners. Karol lowers her paper again, but she doesn’t call me a dipshit. She sees the box in my trembling hands. “Remember, we clean everything,” she says. Her voice is gentle.

I set the dial to my name and climb into the washing machine. The drum aches under my weight, but it begins to spin. Water gushes. Thick foam rises.

About James R. Gapinski

James R. Gapinski (they/them) is a writer from Portland, Oregon. Their most recent book is the short story collection, The Museum of Future Mistakes, is the winner of the BOA Short Fiction Prize. The first edition of their novella, Edge of the Known Bus Line, won the Etchings Press Novella Prize and was named to Kirkus Reviews’ Best Books of 2018; the book is scheduled to be republished with Split/Lip Press in 2027. They are also the author of three chapbooks, and their short fiction has appeared in Heavy Feather Review, Variant Lit, SmokeLong Quarterly, and elsewhere. James was a 2025 writer-in-residence at the Dzanc House, and they will be a 2027 writer-in-residence at the Kerouac Project. Learn more at https://jamesrgapinski.com

Artist Credit:

Based out of Orlando, Katiana Robles is a multidisciplinary artist who sculpts, paints, and illustrates in a variety of media including some edible ones. Her work has been exhibited throughout Central Florida; most notably at Orlando City Hall, City Arts Factory, and Osceola Arts. To see more of her whimsical work follow her on Instagram @kat_robles.

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