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The Status – In Flux

April 1, 2026 By Andrea Damic

The Status – In Flux

My daughter is a toddler, wobbling as Joe goes. Joe’s a ragged plush boy, worn out by her tears and laughter and sweat pooling at the tips of her silly fingertips, smeared with traces—sticky apricot marmalade or sultry peanut butter dried up like breadcrumbs—an instant intel into her daily activities, almost Hansel and Gretel-style.

They are like two peas in a pod, unable to stay in a single file; her squishy monochrome friend never going anywhere without her, except that one time we forgot him in the Airbnb; her tears—glittering diamonds on the red, distorted face—reminding of a newly hatched owlet that dropped from the nest on the side of a road when I was a kid, not much older than my daughter; so we drove two hours back, wishing to spare her the night terrors—after all, owlets were meant to have silky, white downy fuzz, capturing the subtle quality of their tender hue.

She’s a pre-schooler with a gap-toothed smile plastered across her face, but all I’ll ever remember is the crossbeam of my hand over her shoulders as she shrugs me off, springing towards her best friend, equally gap-toothed; Joe’s floppy body trailing after her.

 

She’s almost a teenager, door-slapping, clash-prone, peril-drawn, fingers-indented smartphone pinkies, marmalade-and-peanut-butter-wavering preteen; yet trapped underneath all that, still thrums a Joe-devotee.

***

Way back when he was bestowed the kinsfolk status, when we first laid eyes on him, he seemed somewhat crooked to me, somehow uneven. I remember putting him back on the pile and choosing a more symmetrical-looking panda; my eyes seeing only this marketing-driven, cauliflower-panda pile. Pandas – Pandas – Pandas – reaching outward, inward, upward – in all directions really, demanding to be taken.

Only two years old, she retrieved him from the hundreds of look-alikes, her tiny body looming over him, clumsy feet heading towards the register, never looking back.

***

As she reaches new heights, he shrivels even more, hiding in his own shadows.

About Andrea Damic

Andrea Damic, born in Sarajevo, Bosnia & Herzegovina, is based in Sydney, Australia. She wears many hats, as her daughter often reminds her. She's a writer, award-winning artist, associate fiction editor at JMWW and flash fiction reader for Fractured Lit. Her debut hybrid collection of art, poetry, and prose, All the Losses, was published in Feb 2026 by Alien Buddha Press (Amazon). Andrea's words have been published and anthologised internationally and were nominated for Best of the Net. Although an accountant by profession with a master’s degree in Economics, photography and writing have remained her true passion. In her imaginary free time, she tinkers with her website, https://damicandrea.wordpress.com/.

Artist Credit:

Brooksie C. Fontaine is a coffee addict who got into college at fifteen and annoyed everyone there. She has MFA degrees in English and Illustration from Salve Regina University and Savannah College of Art and Design. Her writing and illustrations have appeared in over thirty literary journals and anthologies.

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